Is it possible to become a successful artist without ‘selling out’? How do you create an inspiring brand and earn a living from your artistic talents? Does it matter?

Greg Spalenka is a well known artist who has worked in publishing and the film industry for over 35 years. After seeing many art school graduates struggling to find their way, Spalenka produced the Artist As Brand course to guide students through the steps of building a livelihood from their art that matters and has lasting impact.

For four decades Greg has been teaching, lecturing and conducting workshops at colleges, universities, art institutions around the country and abroad to share his professional experience and encourage the creation of art businesses.

If you have a creative passion, there are several ways to develop it. The key is to invest in yourself and be dedicated to your art. You will achieve great things if you're willing to put in the work!

The Artist As Brand course is now offered online and may be done at one’s own pace. Pay only once and get lifetime access to the course, the workbook and all updates as they come out!

If you think this course would be a good fit for you or someone you know, please share this!

“The workshop was more introspective than I anticipated but I found that to be very useful. Beginning at the most basic level of who I see myself as has helped to define not only what my niche markets can be but also the type of work I should be creating. I only wish I had taken this class sooner. These tips and techniques are beneficial regardless of career level or how much some of us had already accomplished.”

-Matt Wachnicki, Illustrator, NY

While working for a company and having a steady paycheck has its practical returns, it can be a bit restrictive for a creative person. Freelancing has many benefits and can give blossoming artists a chance to break free of the confines of a nine-to-five job. According to a 2023 study by Upwork Research Institute, freelancers in America contributed a whopping 1.27 trillion to the US economy in annual income!

Whether you want to start freelancing as a side hustle or make it your full time job, here are some benefits to consider:

1. Time Freedom: As a freelancer, you get to work on your time. This is a definite perk and can allow you to design a work schedule that fits your lifestyle! It should also be noted that this requires good self-discipline to stay consistent!

2. Location Freedom: If you’re making your own schedule and don’t have to show up to work at specified location, then you can literally work from anywhere! Many are adopting a nomadic lifestyle and are travelling the world while freelancing.

3. Higher Pay Rates: As a freelancer, you get to set your own rates and these are usually a lot higher than what you would earn working for a company because you are cutting out the middle-man and clients are going to you directly.

4. Creative Freedom: You get to work on projects that excite you and turn down projects that do not! This is such a huge benefit for creatives!

5. Save Money: With no long daily commutes or dress codes to deal with, you can save quite a lot of money on gas, car maintenance and clothing.

6. Freedom to Choose: As a freelancer, you get to make your own rules. You get to choose who to work with and what to work on. If you feel that something isn’t a good fit, you can pass on it!

7. Job Security: Since you are your own boss and not dependent on an employer for your paycheck, you don’t have to worry about layoffs or pay cuts.

I hope this post helped to highlight some of the key benefits of becoming a freelance artist. If you are interested in learning how to brand yourself as an artist and start developing your career, then I encourage you to check out my course Artist As Brand. I created this course specifically to help provide a clear roadmap of how to build a prosperous and unique art business. Here’s to your creative journey!

Creativity can infuse our lives with depth and richness. Tapping into creativity is an important way to find a sense of self and build self confidence. Making something, anything, is a great way to tap into our subconscious potential and start an inner dialogue. Many times, if we simply start, with no clear plan, we will be surprised and delighted with the results. Even if we are not, we have opened a doorway within ourselves—made space for something new to emerge and this can be the start of great new possibilities.

Encouraging creativity in young students will broaden their knowledge and capabilities—ultimately providing them with the confidence necessary to achieve their goals, as well as the desire to share their work with others.

I hear many people say, “I am not an artist, I am not creative.” And yet, even if we are not consciously doing it, our thoughts and actions are creating reality all the time! It is called our life! So why not bring some intentionality to it? Give some time and space to your inner artist and let them play! Get out some paper and scribble! Write! Paint! Color! Sing! Cook! Anything! Just Start! You never know where it might lead!

Too often adults lose their creative spark and fail to challenge themselves to make something new. The Artist As Brand® course helps students imagine a career where creativity, confidence and success coincide. Having an understanding of why it is important to tap into your creative potential can help you be intentional in your planning and development of an original idea.

The spiritual teacher Osho, speaking on what creativity means in relation to love and life, said, “To be creative means to be in love with life. You can be creative only if you love life enough that you want to enhance its beauty, you want to bring a little more music to it, a little more poetry to it, a little more dance to it.”

So don’t underestimate the significance of creativity in your life, and encourage others to think about how creativity plays a role in theirs.

heart of the rose- spalenka

Sovereign: Supreme Power. Entrepreneur: from the French- “one who undertakes." If you are an artist making a living from your talent you are a Sovereign Entrepreneur. You are the royal authority of your visionary domain.

Knowing who you are in the context of your art creations is the foundation of its authenticity. Your unique voice is the cornerstone of its value. Fans, collectors and clients know the difference you are making in their world, and it is different from any other artist. KNOW THYSELF. It is a sustaining strength that upholds your visionary domain.

In the Artist as Brand® Online Workshop we reveal the profound quality inside the heart that informs our art. The Heart Virtue introspection technique, allows us to see this power hidden inside us. I have taught over a thousand students in this method and what a beautiful moment it is to see and hear the results.

Then we create the blueprint for making income from your art! It’s awesome… and it works.

This is an evergreen online course which allows your to work at your own pace. For a one time payment of $295, you will have lifetime access to the course including any future updates!

To find out more click here.

To your art and sovereign success!

~Greg

“Greg’s class helped me to clarify my vision and build confidence in my goals. Deciphering my Heart Virtue has given me radical entrepreneurial energy!”

-Katy Betz, Artist, Professor at Ringling College of Art and Design, FL

Whenever a new idea is born it is often greeted with awe, disdain or simply, ‘What?’

When the synapses in my brain aligned to create a class on artist empowerment and prosperity, it was crystal clear as to the concept and worth of what I was manifesting. However, the idea of Artist As Brand is so unique to any education taught in any school, college or university out there, so it's understandable that there are some questions about what it is I teach exactly. This post is going to clarify the principles/manifesto of this course (some call it a movement) and exactly what value you will receive from your time and $295 investment.

What is Artist As Brand?

The goal of Artist As Brand is to connect the individual to their purpose, art and prosperity. Connecting your art deeply with your truth creates a mark that is so authentic and profound it embodies a unique power. Align this vision with your individual collectors through targeted marketing techniques and you begin to build a one-of-a-kind art empire that can sustain you financially for the rest of your life.

ARTIST art·ist [ahr-tist]–noun 1. A person who produces works in any of the arts that are primarily subject to aesthetic criteria. 2. A person who practices one of the fine arts. 3. A person whose trade or profession requires a knowledge of design, drawing, painting, etc… A commercial artist. 4. A person who works in one of the performing arts, actor, musician, singer; dancer, public performer. 5. A person whose work exhibits exceptional skill.

BRAND [brand]–noun and verb 1. Kind, grade or make, as indicated by a stamp, trademark or the like. 2. A mark made by burning or otherwise, to indicate kind, grade, make, ownership, etc… 3. A kind or variety of something distinguished by some distinctive characteristic. 4. To impress indelibly. 5. A brand name.

The essence of these two words together can be defined thus: A creator who has made their mark!

Some fine artists scoff at the word brand. Whether you like the word or not, all visionary creators throughout time who have made their mark on humanity are brands. They are remembered for their impact on the collective consciousness of the planet and many are household names. I call the Artist As Brand workshop an artist boot camp because it is highly focused with the intention of aligning and defining (in some instances re-aligning and re-defining) the purpose and direction of an individual's career path. We start deep in the heart and move outwards connecting your talent to your marketing, patrons and collectors so there is perfect alignment.

The knowledge for this workshop is derived from 28+ years working as a professional artist inside and outside of the publishing, film and gallery industries as well as teaching higher education.

The following is an outline of the course and what students will learn and come away with. This is an evergreen online course. Students get lifetime access to the course including all future updates and resources.

MODULE ONE: DECLARE YOUR PURPOSE: You will learn your Core Virtue. Knowing your core virtue is the first step to establishing a foundation which your career is built upon. This intimate part of yourself is a driving force in your life. It goes deeper than your art. Declaring your core purpose aligns your heart with your art in a profound manner.

Design a Personal Logo/Heraldic Shield: You will create a simple image that will represent what you just learned about yourself. It will represent your Core Virtue.

Design a Vision Board: This template is defined by everything you love in your life—what turns you on and keeps you motivated as a unique individual. The Vision Board represents the niche markets that will be your domain and will make up your one-of-a-kind art empire.

Practice The Art of The Blurb: You will learn how to introduce and represent yourself to people. Most artists do not have a clue how to speak with others about who they are and what they do. This exercise is designed to increase your confidence and generate interest in who you are and what you have to offer.

Every workshop includes special lectures by esteemed individuals who encompass the Indie Art Spirit. Guests include art writer Peter Clothier, licensing expert Maria Brophy, social media master and botanical perfumer Roxana Villa.

MODULE TWO: PLAN YOUR BRAND: You will learn to design your art and product line. We will look at artists who are successful in this area and discuss new approaches to making income from your art. We will define what art and products can manifest from your Vision Board.

Create An Innovative Marketing Blueprint: You will learn to create a marketing blueprint that integrates high tech and high touch medias. We look at these two very different but synergistic marketing models. You learn how to best utilize these promotional mediums.

Learn The Simple Yet Powerful Art of Business and Commerce: Are you an art hobbyist or an art professional? This is a short lecture on straight up, common sense business practices. If you are selling art, you are a business. Start acting like one.

Connect With Artist Entrepreneur Leaders: Learn to create a community and hook up with those who are successful in order to keep yourself inspired and in the company of great people.

MODULE THREE: EMPOWER YOUR PROSPERITY: Commit to sustainability. You will design a five-year marketing strategy that takes a serious look at your finances, living situation and overall goals personally and professionally. What is possible? Connecting to your BHAG (Big Hairy Audacious Goal).

Recognize the Potential of Team Building and The Power of a Mastermind: Your peers can be some of your greatest assets from a personal, professional and moral support capacity. You will start this process right in the class!

Conceptualize a Product Ready for Manufacture: We begin to look at the details of what it’s going to cost in labor, time and materials to create a product from start to finish.

Review: In addition participants will have access to other career enhancing promotional opportunities only available to Artist As Brand students! Some of these details can be found on the ABOUT page. Now you are ready to create your own Art Empire!

I hope this information helped to clarify the purpose and design of my class. Come on and join the Indie Art Revolution! Sign up today! Lifetime access is included and you may complete the class online at your own pace.

See what participants are saying.

To Your Artist Empowerment and Prosperity,

—Greg

Do you live your life from the outside in? Or from the inside out?

With our responsibilities, bills, relationships, media and all the stuff we fill our existence with, much of the time it's as if the world is telling us how to live our lives. It's no wonder we feel we are pulled in many directions at once and have less time in a day to accomplish our goals, let alone think about ourselves.

In the cult of multi-tasking with electronic gadgetry, (which my students insist does not impede upon their studies) research is showing that it does not really help us to focus or accomplish our tasks any more efficiently throughout the day. When the circumstances of the world feel like they dictate our every move, we can become overwhelmed. Sound familiar? Much of this depends on how we perceive ourselves and the reality around us. Perception is an act of creation.

One of the blessings of my creative life is the ability to brainstorm and manifest lots of ideas. Once my mind gets those RPM's up to speed, it’s hard to stop—especially when I want to sleep at night. When I found the secret of meditation it calmed the chattering monkeys inside my head enough for me to rest. However, the real benefit of meditation for me came from the introspection that graced my consciousness over time. I learned the benefits of living from the inside out.

This post is not so much about the virtues of meditation as it’s about taking some time to understand who you really are and what you are really about. When you live your life from the center of your being, events around you begin to look very different.

Greg Montana is a life coach committed to seeing people discover and follow their true purpose. He helped me see mine clearly so I can help others too. Greg has a freetransformational teleseminar that you might want to check out. Another path to finding who you are is to have a good conversation with yourself. This may sound crazy at first, but its just another form of introspection. Check out this Blog post by Chris Guillebeau and take a step inside who you really are. Once you start living from the inside out you will view yourself differently, understand your motivations more clearly, make decisions more calmly, and probably get a better nights sleep!

To your truth!

—Greg

A recent article in the Washington Post has put the total student loan debt in the United States at a whopping 1.75 trillion dollars! While most counties around the world provide low cost and even free college education to their citizens, it seems that ideologies in America have changed and that college education is no longer seen as a ‘public good,’ but rather one for the privileged few who can afford the prohibitive cost.

Ronald D. White wrote a great story for the LA Times about the problem of college debt. He focuses on one individual, Andrew Post, age 13. When most boys were fretting about the perils of girls and middle school, Andrew Post was attending Cal State Los Angeles, working on degrees in computer science and applied mathematics. At 18, Post was entering USC Gould School of Law. At 22, Post became a member of the State Bar of California.

Along the way, the U.S. economy took to the slow track. Like many in his generation facing the worst job market in decades, Post opted to stay in school. The Altadena resident is now 24 and has landed a well-paying job as a programmer for a website operator. But he also faces $215,000 in student loans, with a minimum monthly payment of $2,756.

Many college graduates are not as lucky as Andrew to find well paying jobs in their fields of study and instead find themselves working at low paying jobs, strapped with crippling debt. The promises for a better life and income that college educations used to provide, now seem empty and grossly overpriced.

At Artist As Brand, we have sought to help artists who may be feeling lost after graduating. Many come out of pricey art schools with no knowledge of how to make it in the real world. This course is designed to help light the way and provide clear guidance on the path to creative success.

100 Days Without Fear.

Fear can prevent us from living life to the fullest. Often, we get stuck in familiar patterns and never break out of them because staying in familiar territory, no matter how unfulfilling, gives us a sense of safety. The underlying truth, however, is that when we are not living up to our fullest potential, we are allowing fear ( sometimes unconscious fear) to stop us. This can lead to frustrations and resentments and yet, each of us holds the key to our own freedom: The freedom to face our fears and see what’s on the other side!

Michelle Poler, originally from Caracas, Venezuela, is a graduate from the School of Visual Arts. A few months ago, she quit her job as an Art Director to develop what started as a school project and turned into a life-changing experience. Michelle decided to face all of her fears for her project 100 Days Without Fear. She had originally planned to just become a braver person. What she didn’t plan was to inspire millions along the way.

Through her experience facing 100 fears, Michelle Poler learned how we deal with fear, the types of fears we face in life and the process through which we are able to manage the anxieties and accomplish great things.

I hope this video inspires you in your creative journey. The possibilities are endless!

In a recent post I celebrated Sean Fitzgibbon who finished the Artist As Brand Workshop, embraced the principles and then reaped the benefits. When he finished his graphic novel grand opus, “What Follows is True: Crescent Hotel” I was curious about the evolution of the story and comic, but also how he managed to fund such a beautifully printed, high end, hard cover book with a slip cover.

Sean shared that he had crowd funded the project through Kickstarter and pulled in almost $29,000. I asked him if I could interview him about the process and he graciously agreed. His responses were a gold mine of crowd funding knowledge! Below are a few excerpts from the interview.

Sign up for the Artist As Brand Online Workshop and access the entire interview!

-Tell us a bit about the journey of creating the story for your graphic novel, “What Follows is True: Crescent Hotel.” What piqued your interest in this particular story?

When I was a kid my family would visit Eureka Springs, AR. I was always intrigued by its charming, Queen Anne dwellings perched on limestone bluffs, steep elevations, and serpentine roads that don’t intersect.  However, the most compelling and mysterious feature to me has always been the 1886 Crescent Hotel with its bizarre, dark and varied history. Years later I stayed at the hotel and went on the ghost tour.  What lingered with me was the story of the fraudulent medical practitioner that transformed the hotel into an abnormal hospital. Elements of Mary Shelley’s Frankenstein and Stephen King’s The Shining left me morbidly intrigued.  Who was he and how could something like this have happened?  After conducting extensive research, I learned of his assorted and controversial past.   

-As you wrote the story and worked out the panels of the comic, did you decide to roll out the comic as a series, or was the goal to premier the final product as a finished graphic novel? What was your strategy?

This was my first attempt at a full-page graphic nonfiction book, so the process was all new to me. I always envisioned the book as a standalone piece.  If I were putting together the book today I probably would have broken it up into smaller segments and combined them as a way to build up interest in the project as I’m working on it. However, when I was working on this book I was working on many other art projects as well so the release of various segments or chapters of the book would have been irregular. Nowadays, I’m focusing primarily on my “What Follows is True” series of books so when I’m working on larger books, I can release small segments in regular intervals and then combine them into a nice hardcover edition. 

-After you decided to produce a series or a finished graphic novel was the plan to find a publisher or did you decide to go another route and self publish?

 My original plan was to find a publisher once the book was completed so I submitted to literary agents but was unable to stir up any interest. Just as I decided to search for publishers on my own, I was contacted by a literary agent who is also a working graphic novelist. He represents both graphic novelists and children’s book authors. He submitted my book to major publishers for one year and despite the praise the book received from many publishers, none decided to take a chance on the book. Publishers have become extremely risk adverse to unfamiliar projects and authors whose work they feel doesn’t fit into a specific niche. Nonfiction books are common but graphic nonfiction books are not as well known. 

 After careful consideration I decided a crowd funding platform to fund the printing costs of my book would be the best option. I then had to figure out which platform was right for my project. After researching the various platforms, I chose Kickstarter because it’s a major platform that focuses on creative projects like art, music, film, and it is well curated with quality products and the fees are reasonable.  

-After you decided to crowd fund the project what was your promotion strategy at this point?

Most of my promotion at this point was from my website and social media platforms like Facebook, Instagram and Twitter. I find online platforms to be a decent way to promote your work but it’s also passive and I prefer to connect with people directly, so I knew I had to come up with a more effective way to reach potential backers. 

-I understand that there is much preparation and organization for the Kickstarter campaign. Can you share some of the highlights and main points for pulling it together?

 Once I decided on using Kickstarter for my campaign I began learning as much as I could about how the platform works and how to run a successful campaign. I read various books about the platform and listened to a very insightful podcast called Comix Launch.I also had to think about budget and printing costs, production, shipping etc. and I’d use this information to set my funding goal.  

 Another important factor to consider when preparing a Kickstarter campaign is the readability and design of your Kickstarter page. I researched similar projects on Kickstarter that were successful to understand how they built their page. I made sure that not only was the site well organized and user friendly but also that the overall aesthetic worked well with my book and overall brand. Videos are also a very effective way to engage potential backers and tell them about the project, so I created a trailer for my book utilizing iMovie with images from my project. 

 Also, Kickstarter is more than a platform, it’s a community, and before launching my campaign I made sure to support other Kickstarter campaigns that were similar to mine. Potential backers see that you’ve supported other projects, and you get to see how the process works from the backer’s standpoint. Most importantly it makes you feel good to invest in the success of another project.

Thank you Sean, for sharing your process!

Sign up for the Artist As Brand Online Workshop and access the entire interview. After reading it you will be informed and inspired to create your own successful crowd funded project.

In the past I recommended Facebook as being one of the social media venues to use when it came to promoting your work. Your Website, Blog, Instagram, Twitter were others.

Of course that list keeps changing, but in general social media when working together can create a powerful synergy. I am beginning to rethink Facebook, Instagram and Twitter. Recently it appears there is a reduced return on investment for using Facebook in general.

There are many articles out there on the decreasing reach Facebook posts actually have. I have noticed less and less people see my posts for years now. HERE is a great piece on why this is happening, and why it may be a good time to start checking out other venues. 

I like to celebrate individuals who finished the Artist As Brand Workshop, embraced the principles and then reaped the benefits. Sean Fitzgibbon is one of those people. He attended my live class years ago, and then slowly finished his graphic novel grand opus, “What Follows is True: Crescent Hotel.”

Sean crowd funded the project through Kickstarter and pulled in almost $29,000. He has since then been promoting the book at different venues to great effect. “I learned more about the business and marketing aspects of being an artist from Artist As Brand® than I did in both undergraduate and graduate school.”

Sean recently reviewed the new Online Workshop and remarked, “I find it so inspiring and invigorating! I can't tell you how many times I've recommended your course to various students over the years. In fact I was giving a lecture to students at the University of AR at Monticello on Wednesday and I mentioned Artist As Brand in my lecture as being one of my biggest influences in building my career as an artist.”

“I loved visiting the new additions to the course workbook such as the updated videos, artist examples and interviews. Also, the updated use of social media applications and Google Analytics and other statistics services. I also was unaware of Funnel Software. I found this extremely helpful as well. “

Sean is such an inspiration that I intend to interview him in the near future to share more of his experience. I have hundreds of success stories like this that I will be sharing throughout the months.

Take one step into the Artist As Brand Online Workshop and your art career will never be the same.

Grow a voice- by Roxana Villa

Out of the box solutions for selling art and promoting it, get people’s attention. One suggestion is to start an Art Block Party. Gather all your neighbors who have some talent to share (artists, musicians, chefs, etc.), go to the city to get a permit to close down your street to traffic, then send out flyers promoting your amazing outdoor event to showcase the talent of the community. Now you have an outdoor gallery!

Betsy McDermott Altheimer, associate director for an artist service organization called Springboard for the Arts, located in the Twin Cities had another great idea for selling art. She was inspired by community-supported agriculture (CSA), where consumers receive a monthly lot of produce through purchasing shares in a farm. She thought if it works for farmers it could work for artists. “We should just do a CSA! Only this time, the ‘a’ would stand for ‘art.’”

Altheimer believes that food systems are the perfect metaphor in the reality of today’s art scene. “People have this mythical notion of what a farmer does. In reality, there is a lot of risk. You can’t guarantee every crop will be successful,” says Altheimer. “Likewise, an artist can’t guarantee that everything they do will be great. But he can ask people to invest in the value of what they do.”

Each season, nine artists participate. By signing up for a $300 share, a patron receives nine original works, plus admittance to three parties where the artists will be in attendance. Of course where the program seems a little less than ideal is the artist’s commission — for producing 50 pieces, he or she will only receive $1,000. But it’s up to the artist to create small, sensible works with a budgetary restriction in mind. Limited Edition prints might be a way to go.

The hope is that the artists will pick up new fans and patrons who will continue to follow and collect their work beyond the CSA share. “Our version of success is when the relationship continues beyond us,” affirms Altheimer. Check out her interview and then start your own CSA. If you have other ideas let me know and I will share them in a post.

Here are two more inspirational blog posts that will pump up your powers of introspection.

1. Right now is a great time to take a good look at the past year, reflect on your accomplishments and business strategies. Go to this Etsy post for some insight.

2. Caroline Myss is spiritual teacher who says she's living the life her soul was meant to lead. Caroline says everyone has the ability to fulfill their own "sacred contract"—a set of assignments the soul is meant to achieve. This dialogue between Caroline and Oprah touches on some of the Heart Virtue work we do in the Artist As Brand® workshop. Here.

Business tips 101. Check them out...

-20 tips for dramatically better emails and more growth hacks any small business can implement.

-A pattern exists in internet communities where 1% of people create the content, 9% will edit or contribute and 90% will watch from the sidelines. 

Focus on the 1

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Peter Thiel’s Zero to One

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World Standards Day

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Emailing a busy person

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Build a channel sales program like HubSpot

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Cold calling

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No such thing as retirement

You want to start making income from your art, but can’t seem to get started? Sometimes we can have mental blocks that stop us from taking that first step. Lester is an amazing hypnotist living here in Santa Fe and he can help you take control of those fears. Below is a taste of his magic.

Lester will be joining us to further the confidence of everyone at the Oct. 14, 21, 28 Group Workshop. Sign Up is Closed. Look a for another Group Workshop in 2024!

@lesterhypnosis Go take that step 🚀 #moneyblock #abundancemindset #abundancemanifestation #manifestation #hypnosis #hypnotist #hypnotherapy #startbusiness #startyourownbusiness ♬ Find Your Inner Self-Meditation - Red Blue Studio

What sustains your creativity?

Could it be new electronic toys, fashionable attire, fascinating information, splendid entertainment, food, money, sex, drugs, rock and roll?

Long term creativity is sustained by your heart. Creativity connected to your true essence will sustain you for the long run. When not in alignment with your core virtue, boredom, unhappiness, and lethargy creep in.

Creativity is like the electrical juice coming from a car battery. If the engine is hooked up properly it recharges the battery allowing it to last a long time. If there is a disconnect somewhere and the battery does not receive that returning jolt of energy, its power is drained and can die much faster than expected.

Loving what you do will help you keep on keeping on when ideas become scarce and economic downturns put the squeeze on.

The Los Angeles Times article on "A writing career becomes harder to scale" by Dani Shapiro talks about the struggles authors expected to confront  as they gained experience in the publishing world. But now it is sell -- or else. Writers like visual artists must confront the realities of a changing publishing paradigm when it comes to promotion and selling product. In the face of these changes focusing on the source of your power  keeps the battery of creativity charged and ready to go.

Knowledge of your product line, marketing tactics, long term strategies  work only if they are built upon the foundation of knowing what you love. Those individuals who are connected to the source of their true being whether selling their art, writing, music, film, etc. can keep a career energized.

Shapiro reflects, “Each time we sit down to create something, we are risking our whole selves. But when the result is the transformation of anger, disappointment, sorrow, self-pity, guilt, perverseness and wounded innocence into something deep and concrete and abiding -- that is a personal and artistic triumph well worth the long and solitary trip.”

Remain committed to empowering truth within yourself, then experience the bliss of your artful journey.

EMPOWER YOUR TRUTH, ENERGIZE YOUR ART INCOME WITH THE OCTOBER ONLINE GROUP WORKSHOP! SIGN UP NOW.

-Richard Chang is a journalist, editor and writer serving as Senior Editor for Culture OC and specializing in arts and entertainment. I interviewed him years ago to hear a reporter's perspective on the state of the arts as well as his thoughts on artist sustainability. Surprisingly it still relates to what is happening today.

Greg Spalenka: Could you be considered a champion of the arts, or do you feel your strength and purpose is to focus a critical eye on a subject?

Richard Chang: I document the arts and artists around me, and shed light on efforts that otherwise would not get widespread attention. I’m particularly interested in ethnic American art – Native American, Latino, Asian American, etc.

Personally, I am a champion of the arts, but I’m also a journalist and a critic. I have to be careful not to give the public the impression that I’m frequently taking sides in one issue or another. Even in a highly subjective field such as visual art, it’s important for me to maintain some kind of objectivity. So, while I do share a passion for the arts with my readers and subjects, I have to keep a critical eye and distance to a certain degree. I am not an activist.

GS: What are you committed to? Are you attracted mostly to the arts and entertainment fields or is there another facet you would like to explore?

RC: I love being a reporter and writer. I feel that I was born to do it. I am committed to shedding light on darkness and allowing the truth to find a voice. “Comfort the afflicted and afflict the comfortable,” as they say. I am probably most attracted to the visual arts field, but the reality of my job is, I have to pay attention to popular entertainment. We can’t ignore the subjects that most readers want to read about. That includes TV, movies and celebrities. As part of my beat, I do cover independent film.

GS: What is the most amazing form of art you have experienced and written about?

RC: That is a difficult question. I have to say, I’m kind of old fashioned. I love painting. There’s nothing like a fantastic Kandinsky, Basquiat or O’Keeffe. I’ve had the privilege to see and write about each one of them.

GS: How would you describe artist sustainability in terms of historical longevity and in the context of making a living from your art?

RC: As for making a living, it’s undoubtedly a difficult venture. You have to have mentors and advocates. You have to have awareness of the marketplace. It’s good to have champions of your work. You need to be your own champion. Don’t stop working.

GS: Historically artists have used the gallery system as a way to showcase and sell their art. At one time the gallery system was king but that has changed within the last decade. What are some alternatives you have seen?

RC: Obviously, the Internet has had a major impact on the way art is viewed, discussed and even purchased. One can simply go online to see an artist’s work, converse about it and buy a piece or two. There are also websites such as artnet.com where you can learn more about an artist’s background and participate in online auctions.Still, nothing beats seeing work and meeting an artist in person. Alternatives to the gallery system may be venues (in Orange County, CA) such as the Festival of Arts, the Sawdust and Art-A-Fair, as well as swap meets.

GS: Most art colleges focus on teaching conceptual and technical image making skill sets with an eye on preparing artists for the publishing, gallery, and entertainment industries. Have you seen alternatives to these corporate models? What about the challenges writers face in this regard?

RC: Sure, there are alternatives. Some art colleges focus on basic to advanced visual art skills, without much attention to corporate industries. I’d say the Rhode Island School of Design (RISD) is a good example.

GS: My question really pertains to venues for selling your art beyond publishing, gallery, and entertainment industries.

RC: Well, as I mentioned above, art fairs and swap meets are viable alternatives. Municipal art centers sometimes have salon shows where you can sell your work. Also, getting your stuff online and selling it there. But make sure the site and company are reputable.For a great account of the conceptual critique class, read the chapter “The Crit” in Sarah Thornton’s “Seven Days in the Art World.” It’s hilarious and illuminating.

As for being a writer, yes, there are professional pressures as well. Don’t we all face them?I think you have to be practical to a large extent, get your stuff published and get paid. Otherwise, you can write all you want, but you won’t make a penny.

GS: However, the publishing world is changing dramatically and traditional income outlets for writers are disappearing. What are some alternatives to getting paid from your writing without going through the established publishing industry? For instance how could you, Richard Chang thrive financially doing what you love now without working for Culture OC or similar publishing venue?

RC: An alternative to the established publishing industry would be self-publishing a book or writing for a blog or website. Unfortunately, very few blogs and websites actually pay. If one has considerable Internet know-how, one can create one’s own website and collect revenue through advertising. But that takes a lot of work, much of it not related to writing. I imagine the Internet will play a bigger and bigger role for writers, as mobile devices take over the world, and the printed word becomes more and more obsolete. The writing field is changing constantly, and the news isn’t always great for writers -- or content producers, as they’re sometimes called.

Editors Note- Substack and other online platforms have the option for paid subscriptions, not available during the date of this interview.

GS: It appears sometimes as if the changes are coming faster! I have observed over the last two decades the walls breaking down between the so called fine art world and popular art culture. What is your opinion of this evolution?

RC: Honesty, I think it’s great. Art needs to grow and expand. In order for a field to stay relevant, it has to evolve, change, adapt and take on new movements. How does it benefit the artist?It benefits the artist because there’s no longer a strict definition limiting what an artist can do or be. He or she can do or be anything.

GS: Lastly, please offer some pearls of wisdom for artists and creative souls everywhere.

RC: It may sound cliché, but follow your heart. Follow your passion, your vision. Fulfill your destiny. Don’t let the naysayers get you down. Remember, rejection is part of the process. Persevere. Enjoy the process. The journey is just as important as getting to your destination.

What does Artist As Brand mean?

ARTIST art·ist [ahr-tist]–noun

1. a person who produces works in any of the arts that are primarily subject to aesthetic criteria.

2. a person who practices one of the fine arts.

3. a person whose trade or profession requires a knowledge of design, drawing, painting, etc.: a commercial artist.

4. a person who works in one of the performing arts, actor, musician, singer; dancer, public performer.

5. a person whose work exhibits exceptional skill

BRAND [brand]–noun and verb

1. kind, grade, or make, as indicated by a stamp, trademark, or the like.

2. a mark made by burning or otherwise, to indicate kind, grade, make, ownership, etc.

3. a kind or variety of something distinguished by some distinctive characteristic.

4. to impress indelibly.

5. a brand name.

What do Michelangelo, Beeple, Geogia O’Keeffe, Andy Warhol, Tom Cruise, Auguste Rodin, Apple, Beyonce, Frida Kahlo, Porsche, Picasso, Damien Hirst, Mark Ryden, Annie Leibovitz, James Jean, Greenpeace, Maxfield Parrish, Ray Bradbury, Joseph Beuys, and Emily Blunt, all have in common? They are all brands. A brand is a purpose transformed into a product or service that connects to people, the planet, and beyond.

The key word here is purpose, and specifically your purpose. This is where the heart of your essence resides, where your most potent art manifests, and the strength of your perseverance matures. The purpose inside you aligned with your personal vision is the foundation of your creative power. When your heart is joined with your art, a vital one of a kind signature is formed. This brand is unique to you and your intimate product.

The word “brand” is derived from the Old Norse brandr, meaning “to burn.” It refers to the practice of burning a mark (or brand) onto a products.

The artist’s mark is unique to its owner even if its a copy of something else. However the ambition of most artists is to make a mark that touches their so audience deeply, it burns this symbol into memory. The lifetime of a creative mind can burn a series of meaningful marks into the mindset of a generation, but if their passion is great its possible to start a fire that contributes a brighter light to the world.

Sign up for the October, Online Group Workshop. Your art, life and prosperity will never be the same!

Wholesale to Retail Equation

Most artists underprice their work. I have been guilty of this too but have been slowly kicking up my prices based on the following marketing formula.

• Cost of Goods = Supplies + Overhead + Labor

• Cost of Goods x 2 (or more) = Wholesale Price

• Wholesale Price x 2 (or more) = Retail Price

Cost of Goods- This is all the energy, time, and money you put into making your art. What do you want to make for an hourly wage? Work up a number.

Cost of Goods x 2- Double the cost of goods amount (or more)and you have arrived at your wholesale price. This means you have paid your bills for making the art and have made a profit.

Wholesale Price x 2- Double the cost of your wholesale amount  (or more) and you have arrived at your retail price. This means you have paid your bills for making the art and have made a profit and if you are selling the item will make twice the amount again.

If it is your gallery or other vendor who is selling your items they will be making income too.So if you are selling your art retail yourself then you should be making a nice profit overall per piece. If you are having someone else sell it retail for you then you still make a profit selling wholesale but the amount is reduced.

Got it? Great! Probably time to pump up your prices. If you want to raise them slowly over a year to two year period that is OK but look at everything you sell from here on out using the the retail equation ASAP. 

This post is about the courage it takes to create a career your way. Artist and writer Debbie Millman presented a commencement speech on the virtues of following your path (also in her new book, Looking Both Ways). This is her art...

Continue to read more and also listen to Debbie HERE ...